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Cut-Up: Contemporary Collage and Cut-Up Histories through a Feminist Lens

Franklin Street Works

January 16 – April 3, 2016

Shhh Fragments A&B, 2012

Shhh Fragments A&B, 2012
Noise cancelling instrument cable and endpin jacks
Dimensions variable 

Press Release

Cut-Up: Contemporary Collage and Cut-Up Histories through a Feminist Lens
January 16 – April 3, 2016
Franklin Street Works
Stamford, CT 

The institution's press release follows:

For close to a century, the techniques of collage and literary cut-up have been used to discover new forms in the visual arts, poetry, and music by undoing and restructuring text, image, and sound. Cut-Up: Contemporary Collage and Cut-Up Histories through a Feminist Lens, curated by artist Katie Vida, explores a multi-generational lineage of women artists who have pushed the boundary of cut-up techniques across media, including sculpture, video, sound art, painting, performance, printed matter, poetry, and photography. The exhibition is on view at Franklin Street Works from January 16 – April 3, 2016. The public opening reception is Saturday, January 16 from 6:00 – 8:00 pm with a member VIP opening from 5:00 – 6:00 pm. Cut-Up is sponsored, in part, by the Connecticut Office of the Arts.

Featuring works from 1967 to the present, Cut-Up explores how collage and cut-up have informed the visual arts, literature, and experimental sound art. The exhibition also pays special attention to how the process of cutting apart and reordering language parallels an activist impulse to disrupt the status quo and develop new, alternative narratives. This skepticism and eschewing of “traditional” media is a strategy that was embraced by feminist artists in the late 1960s. At that time these artists embraced newer forms such as performance, film, text based works, and ephemeral sculpture, in part, to bypass patriarchal histories associated with established media such as monumental sculpture and painting.

Through a layering of imagery, text, materials and sound, the artists in Cut-Up create tension by disrupting narrative and reorienting the viewers’ expectations “The cut itself is the technology through which these artists address and manipulate language and image,” curator Katie Vida elaborates, “Through an additive and/or reductive process of developing fresh visual and linguistic spaces the artists in this exhibition show a commitment to breaking apart what is seemingly codified to engage in alternative visions.”